剧情简介
康(kāng )(🈯)沃尔(ěr )渔(🌠)村(cūn )的(de )风景明信(xìn )片田园诗(🏽)误导了人们。虽然(🕟)过(guò )去钓鱼(yú )是一种养(yǎng )家糊(🎗)口的方式，但(dàn )如今富有的伦敦游客纷纷(🌫)下山，取(🎏)代了当地人(rén )，当地(🖲)人的生计因此(🎩)受到威胁。史蒂文(wén )和马丁(🔲)兄弟(dì )的(de )关(guān )系(xì )也很(🕌)紧张。马丁是一个(🍮)没有船的渔夫，因为史蒂(😱)文(🐖)开始用它(tā )来(🚢)为一整天的(de )游客提供更赚钱(qián )的旅游。他们卖(mài )(🎛)掉了这座家庭(🗞)别墅，现在看(🏂)来，最(🤸)后(hòu )一(🙄)场战斗是(shì )(🙉)和(hé )新主人在海边的停车位上(🔔)展(zhǎn )开。然而，情况(⛳)很快就(jiù )失控了，而不(🧣)仅仅是因为车(chē )轮(🤘)夹钳(❕)。 Bait是一种(🚗)黑(hēi )白(🦇)，手工(➡)制作(🐛)，16毫(háo )米胶片(piàn )制(zhì )(🌪)作的(de )电影。许多(💯)关(guān )于鱼、网、龙虾、长(zhǎng )(📧)靴(🔍)、绳(🤥)结和(📛)渔篮的特写镜头让人想起了蒙太奇景(jǐng )点的理论。对(duì )不同社会阶层的(de )描述—(⏳)—可(kě )以说是阶级(jí )(🕕)关(guān )(😳)系——也(🚻)让人(🔪)想(🐂)起(👚)了英国电影中的社会现实主义传统(🚩)。然而(ér )，最(zuì )重(🈺)要的(🧥)是，在影(yǐng )像中不同层次的电影历史参考(kǎo )(😲)文献(xiàn )(⛅)之下，当前许多政治关联正在等待被发现(xiàn )。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata –(🎲) one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
猜你喜欢
剧情片周榜单
